Bio
I’m an Impact Producer, strategist, and systems thinker working at the intersection of media, business, culture, and global transformation.
I hold a degree in International Relations with a specialization in contemporary religious conflicts — a field that shaped my understanding of global systems, cultural tension, and the deep roots of identity and power. This academic foundation taught me to think systemically, work across contexts, and hold space for nuance — tools that remain central to everything I do.
For over 18 years, I worked in international marketing, communications, and business development — launching startups, repositioning global brands, and building cross-sector strategies.
My transition into producing was not a sudden leap, but an evolution. I’ve always been driven by questions of meaning, justice, and narrative. What stories do we tell, and who gets to tell them? How do we move people — not just emotionally, but structurally?
It all began in 2020 with two documentary films created during the early days of the pandemic.
The first, HOMEARREST, was a psychological journal capturing personal responses to the first global lockdown — a human document of uncertainty, isolation, and resilience.
The second, SHOW is Guaranteed, explored the world of professional sports during quarantine, asking what it means to “perform” when the audience disappears. These two projects awakened something fundamental in me — the desire to explore the intersection of storytelling, systems, and emotional truth.
As an Impact Producer, I create ecosystems for change. I build campaigns that link powerful storytelling with measurable action, cross-border partnerships, and long-term strategies. My portfolio includes The Messenger (mRNA, science diplomacy, public trust), SAUTI (redefining African cultural identity through music), Voices of Neswani (on migration, trauma, and womanhood), and London: You Don’t Know Me (on youth homelessness).
I bring both strategy and empathy into the room. I work with complexity — from financial models to fragile emotions — and turn them into systems that hold people and drive results. To me, impact producing is where vision becomes infrastructure and stories turn into movements.
